Pretty stoked about this! Have no idea who bought it but glad the proceeds will go to a good cause. Wish I had bought it I really liked that one….

"with their parallel lives animals offer man a companionship which is different from any offered by human exchange
what are the secrets of the animals likeness and un likeness of man?"

— John Berger About Seeing

Styling by Meghan J. Czerwinski
Boot Williamsburg Bridge

I have a piece in a group show at Ries Studio in LIC tonight.

The show is called 10 x 10 and celebrates the space being open for 10 years!

May 12th 5:00 to 8:00pm Opening for Exhibition

“This will celebrate Reis Studios10th anniversary AND the Grand Opening of the 2nd LIC Arts Open Festival. Artists are asked to create one, or more than one individual artwork on 10 by 10 surfaces provided by Reis Studios. All artworks will be silent auctioned during the week of the Arts Festival with a starting bid of $100.00 and a $10.00 increment. All proceeds will benefit the LICArtsOpen.org (50%) and the Queens Council on the Arts scholarship for the High School to Art School (HS2AS) program (50%). Both organizations are not-for-profit and will provide artists with proper tax documentation.”

43-01 22nd St. LIC

come out and say hi!

"Every Artist’s work changes when he dies. And finally no one remembers what his work was like when he was alive. Sometimes one can read what his contemporaries had to say about it. The difference of emphasis and interpretation is largely a question of historical development. But the death of the artist is also a dividing line."

About Looking by John Berger

wearelucky:

Not long now. check out whats going on over the next view days at CREATE at www.ipu.tumblr.com

I have a print in this show if you are in the UK check it out and let me know whats up!
"

Are artists difficult to work with?

I’m in love with artists. But I understand with everything that you love, you pay a price. You are dealing with somebody who is so confident in their own thoughts, they will show it to you and want to show it to the world, so they have to have a certain amount of confidence. But they are also just as extraordinarily insecure and self-deprecating, and that megalomania is coupled with an insane kind of self-loathing. They’re not stable people. You have to be crazy to believe your ideas are good enough to interrupt what everyone else is saying and doing. Maybe that’s just the artists I’m interested in—people who have ideas that break the mold. I’m not interested in artists who reinforce the status quo. I am interested in those who explore boundaries, and for that you need to be out of the stables. I believe we are entering a new Middle Ages where visual literacy is the main literacy because it’s faster, it’s more immediate, and it’s visceral; at the same time, there is a lack of vocabulary and lack of understanding of the power of images.

"

Blowing Covers with Françoise Mouly

By Nadja Sayej

tammymercure:

©  Jeff Mermelstein
The profession is short on dignity: Nearly everyone has fallen down, been the target of condescension, been harassed by security guards, and dropped expensive equipment. Almost all photographers have incurred large expenses in the pursuit of tiny audiences, finding that the wonder they’d hoped to share is something few want to receive. Nothing is so clarifying, for instance, as to stand through the opening of an exhibition to which only officials have come. 
Experiences like that do encourage defiance, however. Why quit while you are losing?
-Robert Adams, from Why People Photograph